Women Walk Away Their Worries at the Nunobashi Kanjo-e

[Last updated: September 28, 2022]
Today, we put the spotlight on one of Japan’s most unique events: the Nunobashi Kanjo-e. Held in the town of Tateyama in Toyama prefecture, it features a traditional ritual in which women cross a bridge to rid themselves of worry and misfortune and find themselves anew.

★The ceremony was held without spectators on September 25, 2022.

Relive the Spiritual Tradition of the Edo Period in the Modern Day!

Tateyama (or Mount Tate) has long been considered one of Japan’s holiest mountains, with a unique spiritualism (see the paragraph below) sprouting up around it. A legend from the Edo period (1603-1868) stated that climbing the peak would lead one to paradise, but tradition at the time declared it forbidden to women, for whom it was said to be a path to hell. And so a ritual was devised to allow women to reach the Pure Land without climbing the mountain—this was the Nunobashi Kanjo-e. It was later abolished as part of the anti-Buddhist movement of the Meiji Period (1868-1912).

After a 136-year hiatus, the ritual was revived in 1996, and since 2005 has been held regularly once every three years. Women looking to experience Edo period spiritualism—and clear their mind of worries in the process—can apply in advance to participate. Needless to say, women of all ages, nationalities, and religions are welcome. (You will, however, need to be able to understand Japanese, as there are no English-speaking staff members at the event.)

A Bridge to a New You!

Participants—referred to collectively as the nyonin-shu—begin their spiritual journey the day prior to the ritual. They spend the night at Mount Tate, purifying their bodies and taking part in a Buddhist confession. On the day of the event, they change into a burial shroud (shini-shozoku) and walk across the Nunobashi bridge, made to resemble the bridge over the Sanzu River (the River of Three Crossings, and the Japanese equivalent of the River Styx). The Nunobashi bridge is made from 108 blocks, representing the 108 defilements (or “earthly temptations”) that must be avoided to reach the Buddhist nirvana. The two sides of the bridge represent this world and the afterlife—traditionally, it was believed that women who safely crossed it would be able to reach the Pure Land (paradise) after they passed. A Buddhist high priest guides the women across the bridge, accompanied by a performance of Japanese gagaku (Imperial court music). We could feel our minds and bodies being purified just looking on and listening. The women and girls cross the lacquered bridge to the other world and recite a Buddhist chant. They cross the bridge once more and return to the world anew, symbolizing death and rebirth.

Make the Journey for Yourself

Care to experience this unique event for yourself in all its awe-inspiring beauty and mystery? The ritual is held once every three years, with this year’s event set for September 24, 2017. Those interested in participating can apply from June of this year.
Applicants must be female, and be willing to cross the bridge on their own.
In the event that applications exceed the maximum capacity, participants will be chosen by lottery.
The participation fee is 20,000 yen, which includes a rental fee for the burial shroud.
(*Participants are asked to provide their own tabi socks and prayer beads.)

★Come One, Come All!

Not interested in (or qualified to) join the group of women being reborn, , but still fascinated by the idea of seeing this ethereal ritual in person? You’re more than welcome to look on free of charge (seats are available for your leisure), or even to cross the bridge in your own clothes after the main event is over.
Crossing the bridge requires a separate fee of 2000 yen.
Needless to say, this is a fascinating experience for all, regardless of their own religious beliefs. Couples, families, friends, hikers and mountain climbers, people with an interest in local history—all are sure to find something in this unique spiritual experience from Japan’s past.

★The ceremony was held without spectators on September 25, 2022.


Tateyama Town Tourism Association 富山県立山町観光協会
TEL:076-462-9971
mail:tateyamakk@hyper.ocn.ne.jp
URL:https://yukutabi-tateyama.jp/
★Inquiries are available in English.

A Deeper Look: Shinto, Buddhism and Religion in Japan

Many have the impression that the Japanese are a non-religious people, but this isn’t necessarily the case. Though the vast majority of Japanese do not belong to any specific religious organization or attend regular religious services, many major Japanese ceremonies and life events (coming-of-age ceremonies, wedding ceremonies, funerals, and memorial services) are deeply tied to religion. The Japanese belief system does not have a monotheistic god, but rather multitudinous kami—deities that reside in all things. Many Japanese also believe in reincarnation and the idea of past lives, and many Japanese homes contain both Shinto and Buddhist altars. In this way, the traditional animistic tradition of Shinto and Japanized Buddhism have melded together to form a single belief system—a phenomenon known in Japanese as shinbutsu-shugo (syncretization of kami and Buddhas). As a culture, Japan is also very open to the religious beliefs of other countries and cultures—you will often see weddings held in Christian-style chapels. Freedom of religion is protected by the Japanese constitution, and religious persecution is nearly nonexistent. (On the flip side of this, dodgy cults newly formed religions known for aggressively recruiting new believers have found an audience in Japan.)

A Deeper Look: Tateyama Spiritualism
Tateyama spiritualism is a blend of Shinto and Buddhism. From times of old, the people living in this area worshipped from afar the mountains, which they believed to be the homes of the gods, or even gods themselves. They prayed strongly to be admitted to paradise, and believed that committing evil acts would condemn them to an afterlife in hell. They also believed in a form of shugendo (lit. “path of training”)—and would retreat to the mountains and submit themselves to harsh physical training and discipline in hopes of achieving enlightenment. In this belief system, the traditional sacred mountains of Japan have been adopted into a form of Buddhism. These ascetics (known as shugensha or yamabushi in Japanese) were known for their strikingly colorful attire, the same depicted as being worn by the tengu of Japanese legend. The close ties between mountains and Japanese spiritualism can be seen throughout history.

Linguistic Note: When a “Festival” Isn’t All Fun and Games
The Japanese word matsuri is almost universally translated as “festival,” but they actually come in many forms, with some closer to what one might describe as a “ritual” or “function.” While many matsuri are full of mirth and merrymaking, you’ll also find solemn, silent events and wild, intense ones—why not travel around Japan and see them all?


▲This 2006 poster reads, “On the other side of the bridge awaits a new me.”

*This article was originally posted on March 13, 2015.

Translation: Jon Machida


▲[立山布橋灌頂会 Nunobashi Kanjoe Purification Ceremony on Holy Mt.Tateyama](sound comes out)

A World of Architectural Wonders Awaits You in Ginza!

[Last updated: August 5, 2022]
You may know Ginza as Tokyo’s luxury shopping district, but did you know that it’s also a veritable museum of buildings designed by some of the world’s leading architects? We took part in Architectura Ginza, a tour (available in both Japanese and English) that makes learning about the unique history of one of Tokyo’s most famous neighborhoods fascinating for architecture buffs and amateurs alike.

Architectura Ginza: A Tour of Ginza’s Modern Architecture
Sunday, November 1, 2015 from 10:30 a.m. to 12:00 p.m. (English-language course) and 3:00 p.m. to 4:30 pm (Japanese-language course).
Organized by Architecture Exhibition in Ginza.
URL: https://www.facebook.com/ginzamikke/

A Walk on the Artistic Side: See the Streets of Ginza as Never Before

Having evolved from the pre-war days through the postwar period of rapid economic development, Ginza is the perfect venue to appreciate how Japanese architecture has been carried down from past to present. Architectura Ginza takes you on a tour of remarkable masterpieces by luminaries of modern architecture including Kenzo Tange, Kisho Kurokawa, Toyo Ito, and Shigeru Ban. Where are these masterpieces to be found? Why, right on the streets of Ginza—if you know where to look. Fortunately for us, architectural historian Yasushi Zenno was there to direct us and explain in fascinating detail the marvels before our eyes. Tours are given in the morning and afternoon, each limited to ten people to ensure a cozy, comfortable atmosphere.

Yasushi Zenno: Architectural Historian
Born in Tokyo, Mr. Yasushi Zenno majored in architectural history and theory at the University of California in Los Angeles and Columbia University’s Graduate School of Architecture, Planning, and Preservation in NYC. He currently teaches at Aoyama Gakuin Women’s Junior College. He began his latest project, Architectura Ginza in the fall of 2015. For English-language tour requests, please contact him directly at zzzzEnno@yahoo.co.jp.
instagram:architecturatokyo

Modern Architecture Course – October 1, 2015 (*Year of completion in parentheses)
1) Shizuoka Shimbun Hoso Building (1967) → 2) Dentsu Ginza Building (1934) → 3) Taimei Elementary School (1929) → 4) Sony Building (1966) → 5) Maison Hermes (2001) → 6) Louis Vuitton Ginza Namikidori(2004)→ 7) Daiichi Sugahara Building (1934) → 8) Tokyo Ginza Shiseido Building → 9) Ginza Six (2016) → 10) Ginza Lion Building (1934) → 11) Nicolas G. Hayek Center (2007) → 12) Nakagin Capsule Tower Building (1972) → 13) Ginza Kabukiza Theatre (2013) → 14) San-ai Dream Center (1963) → 15) Ginza Wako (1932) → 16) Kyobunkwan (1933) → 17) Okuno Building (1932) → 18) Kawasaki Brand Design Building (1932)

Kicking Things Off: Corporate Buildings and Boutiques, Oh My!

Our tour began at JR Shimbashi station. A short walk from here took us to historically significant corporate buildings, world-famous brand boutiques, and more.


▲The organic, tree-like silhouette of the Shizuoka Shimbun Hoso Building, designed by Kenzo Tange, is a sight to behold.

Explanations were formerly given in Japanese only, but Mr. Zenno has since added an English-speaking tour to cater to architecture aficionados from abroad.

▲Former headquarters of the advertising company Dentsu (since relocated to the Shiodome district)

▲Images of Buddhist deities adorn a modern exterior.

Boutiques of world-famous brands abound in Ginza.

▲Louis Vuitton Ginza Namikidori

▲Maison Hermes

▲Blocks of glass line the exterior

Past and Present Converge Before Your Eyes

From historically significant buildings predating World War II to modern marvels recently completed or still in construction, the streets of Ginza are truly a living museum. Hearing the stories behind these wonders and the visionaries who designed them gave us a new appreciation for Tokyo’s urban landscape.


▲With its scratched-face tiles and round windows, the Daiichi Sugahara Building (1934) has a distinctly Showa Period (1926-1989) air


▲The Tokyo Ginza Shiseido Building, with its striking red-brick hue, is the work of Spanish architect Ricardo Bofill

The Nakagin Capsule Tower, pictured here, is a representative work of Japanese architect Kisho Kurokawa and the Metabolist movement. Historically significant and highly photogenic with its retro-futuristic look, everyone in our tour group was quick to pull out their cameras.



The Sights of Ginza’s Main Street and Luxury Apartments of the Past
That’s a wrap!

With so many architectural wonders to see, the tour lasted a healthy one and a half hours, taking us from wide boulevards to narrow back alleys. It was actually quite a workout! Sneakers and comfortable clothes are highly recommended.


▲The Wako clock tower is a Ginza landmark




▲Completed in 1932, the Okuno Building was originally a luxury apartment complex. These days, it houses primarily antique shops and art galleries. It contains one of Tokyo’s few remaining hand-operated elevators, still in use today.

Our final destination was the Kawasaki Brand Design Building (1932), preserved today as the Ginza Retro Gallery Musee.



You don’t need to be an architect or historian to appreciate the charming beauty of the myriad buildings that line the streets and alleys of Ginza. It can’t be easy to keep these historical treasures in pristine condition, but we hope that these treasures will be preserved as is for many years to come. Have any of the photos in this article caught your eye? Why not take part in the tour and see them with your own eyes?

Architecture Exhibition in Ginza
A project dedicated to organizing and running exhibitions, tours, and art programs in Tokyo’s Ginza District. By hosting events and spreading information, its members hope to unite all of Ginza with a theme of art, architecture, and design, and share its beauty with the world.
URL: https://www.facebook.com/ginzamikke/

* * * * * * * *

Nakagin Capsule Girl: A Photo Collection

Compiled and edited by the Nakagin Capsule Tower Preservation and Restoration Project, published by Seigetsusha.

This collection by the photographer Kazan Yamamoto features images of eleven female models shot inside capsules. It marks the first publication from the Nakagin Capsule Tower Preservation and Restoration Project, an organization which seeks to revitalize architecture through the power of artistic expression. They published this photo collection with the hope of preserving this world-famous building for posterity.

Nakagin Capsule Tower: Ginza no shiroi hakobune (“Nakagin Capsule Tower, Ginza’s White Ark)

Compiled and edited by the Nakagin Capsule Tower Preservation and Restoration Project, published by Seigetsusha.

A complete visual guide to this fascinating piece of architectural history, featuring photos from inside its many rooms. (Compiled with the assistance of the head curator of Architecture Exhibition in Ginza, who resides within the building.)



*This article was originally posted on November 24, 2015.

Translation: Jon Machida

When Art Meets Video Games: Unsodo’s Mario and Luigi Woodblock Print

[Last updated: August 5, 2022]
The year 2015 marked the 400th anniversary of the Rinpa school of Japanese painting as well as the 30th anniversary of Nintendo’s iconic video game Super Mario Brothers. To commemorate the occasion, a folding screen was designed featuring the characters Mario and Luigi reimagined as Fujin and Raijin (the Japanese gods of wind and thunder) from Tawaraya Sōtatsu’s Fujin-raijin-zu, a national treasure. Limited-edition woodblock prints of this unique piece were produced by Unsodo, a company founded 120 years ago that is Japan’s only active publisher of hand-printed woodblock books. Today, we’ll take you to Kyoto to learn more about this unique marriage of classical art and modern culture.


“MARIO and LUIGI Rimpa Screen” ©Nintendo, Taro YAMAMOTO, 2015

Printing the Edo Period Way

In the Japanese publishing industry, publishing houses are often referred to as hanmoto (lit. “house of blocks”). This term has its roots in the Edo Period (1603-1868) and the days of woodblock printing, when printers were responsible for the entire process, including the creation of the blocks used in printing. Time passed and machine painting became the norm, but the name stuck. These days, the only remaining hanmoto in the original sense of the word is Unsodo, a Kyoto publishing house specializing in art books that’s been doing things the old-fashioned way ever since it opened for business in the year 1891.


We spoke to Hirotaka Yamada, its fourth-generation owner, about his unique business.
“With kimono dyeing being one of Kyoto’s traditional local industries, we began by publishing pattern collections to be used by kimono designers and craftsmen. In the old days, if you wanted to print in color, woodblocks were the only way to go—and with countless layers of color for each individual picture or design, you needed a lot of blocks,” he explained.

Unsodo is also known for publishing the design collections of Kamisaka Sekka (1866-1942), an artist of the early twentieth century who is known for revitalizing the Kyoto art scene by introducing modern designs and touches to traditional Rinpa school techniques.


*Two of Unsodo’s publications, Rinpa moyo (“Rinpa Patterns”) and Momoyogusa (“A World of Things”)

“In those days, whenever we published one of Sekka’s books, other publishers would seek out other designers to put out newer designs. The competition was intense, not unlike today’s fashion magazines. Publishers would try to predict which trends would take off and sell their pattern collections to the designers and craftsmen of Kyoto,” Mr. Yamada continued. “Spurred on by this competition, new designs popped up one after the next—and each time, we’d have to prepare more and more printing blocks. I’ve never actually counted all the blocks in our collection, but my estimate is that we have at least a hundred thousand.




Woodblock printing is a beautiful example of an artistic tradition that has been passed down faithfully to the modern era, thanks to the experienced carvers, inkers, and other craftsman of Unsodo. In additional to purely aesthetic creations like ukiyo-e and art books, the techniques have also been used to lend a unique flair to practical items such as folding fans, washcloths, postcards, stationery, origami paper, folders, and other accessories. Notebooks, day planners, and miniature books made in this style are popular among those looking for a connection to the past. In addition to the traditional vertical layout, recent offerings also include a more modern horizontal layout. If you’re interested in adding some traditional artistic flair to your daily life, why not check out Unsodo’s online store for yourself?

Unsodo 芸艸堂
URL: http://www.hanga.co.jp/

Kyoto Flagship Store: Open weekdays 9:00 a.m. to 5:30 p.m. (closed weekends and holidays)
459 Myoumanjimaecho, Teramachi-Nijo Minami-iru, Nakagyo, Kyoto

Tokyo Store: Open weekdays 9:00 a.m. to 5:30 p.m. (closed weekends and holidays)
1-3-6 Yushima, Bunkyo City, Tokyo

The Rinpa School and the Mario Brothers Celebrate Their Anniversaries in Style

After seeing the gorgeous Mario and Luigi folding screen created for the 30th and 400th (respectively) anniversaries of Super Mario Brothers and the Rinpa school, we just had to learn more. We spoke with a staff member at the Imura Art Gallery, which organized the exhibition and created the piece.

“Taro Yamamoto, one of our resident artists and a contemporary successor of the Rinpa school, had an idea that he wanted to do something special for the school’s four hundredth anniversary,” she explained. “He found out that it also happened to be the thirtieth anniversary of Super Mario Brothers, so he approached Nintendo and offered to paint something as a way to celebrate our mutual anniversary.

Taro Yamamoto is known for the whimsical touches he adds to his works, infusing traditional art styles with modern pop culture. For the Mario and Luigi folding screen, he took his inspiration from Tawaraya Sōtatsu’s masterpiece depicting the wind and thunder gods, Fujin and Raijin.

“Tawaraya Sōtatsu’s Fujin-raijin-zu is considered the point of origin for the Rinpa school, and the motifs employed in it have been treasured and handed down through four centuries,” the employee continued. “Taro Yamamoto has a strong reverence for this piece. Likewise, Nintendo considers the characters of Super Mario Brothers a veritable company treasure. He thought that this design would be the ideal way to pay tribute to everyone. It didn’t hurt that both Taro and the rest of us grew up playing Super Mario,” she added with a smile.


“MARIO and LUIGI Rimpa Screen” ©Nintendo, Taro YAMAMOTO, 2015

This exquisite depiction of these two beloved game characters was also made into a charming woodblock print by the craftsmen at Unsodo.
“The folding screen is beautiful, but needless to say, it can only be seen in an art gallery. We also wanted to make something that Rinpa school and Nintendo fans could have as their very own, so we approached Nintendo about the possibility of making woodblock prints based upon the painting,” said the staff member. Mr. Yamada added, “Nintendo, the Imura Art Gallery, and Unsodo all call Kyoto home. It was both an honor and a pleasure to be able to collaborate on this piece.
The result of their collaboration is truly a modern treasure that will certainly go down in the annals of Japanese art and gaming history. We’d be hard-pressed to think of a more perfect gift for the video game fan with an eye for traditional Japanese aesthetics.

Mario and Luigi-zu folding screen woodblock print
Signed and stamped by artist Taro Yamamoto, and numbered (90 prints available)
Price: \194,400 (\180,000 without tax)
Available from Unsodo 芸艸堂
Official site: http://www.unsodo.net/

*This article was originally posted on October 22, 2015.

Translation:Jon Machida

An Art Movement Underfoot? The Marvels of Japanese Manhole Covers

[Last updated: August 5, 2022]
In Japan, expressions of culture and art can often be found in the most unlikely of places. To take one example: strolling through town, have you ever looked down at the manhole covers beneath your feet? You may be surprised to know that passionate fans of manhole art have been around for some time, with events featuring these masterpieces growing more popular by the day. How did this movement begin, and where is it headed? To answer these questions, we spoke with Shoji Morimoto, an expert on manhole art who has been at the forefront of popularizing this community on the internet.

Shoji Morimoto
Founding member of the “Manhole Night” team, which organizes a regular event for manhole art fans. Administrator of the “Manhole Map” social networking service (http://manholemap.juge.me/), where users can share photos and location information about their favorite manholes.
Twitter: @morimo_t

Origins of the Manhole Renaissance

Manholes are an often-overlooked part of everyday life, but there can be no denying that Japan boasts some of the world’s most beautiful manhole covers. “Japanese manhole art first captured the attention of the world thanks to a photo collection by the Australian photographer Remo Camerota,” explains Mr. Morimoto. “This collection, Drainspotting, made waves when it won an award at the New York Book Festival in 2010.”


▲『Drainspotting: Japanese Manhole Covers』(Remo Camerota)

Here in Japan, fans of manhole art can be seen walking the streets, taking pictures and making rubbings of their favorite covers. In recent years, events have been organized where manhole art aficionados can share their passion with their peers, and these gatherings have been covered extensively on television and the internet. But when and how did this growing movement get started?
“In 1984, Joji Hayashi, a designer and member of the Rojo Kansatsu Gakkai (lit. “Street Observation Society”), published a book on the manhole covers of Japan,” explains Mr. Morimoto. “It can be said this book ushered in a new age of manhole art appreciation.” Another book, Rojo no geijutsu (“Art of the Streets”) by Yoshinori Kakishita, received a second printing in February of 2015 after the original 2005 version went out of print. Together, these two volumes are considered the “bibles” of manhole art fans everywhere.


マンホールのふた 日本篇』(サイエンティスト社)
路上の芸術【復刻版】』(ホビージャパン)

Manhole Art Appreciation in the Internet Age

In the old days, manhole fans simply enjoyed their hobby alone, taking pictures of local masterpieces when they traveled for work or play. “In 2007, I uploaded a picture of a manhole cover to a popular photo sharing service,” Mr. Morimoto recalls. “The response was overwhelming. It was then I realized how many people out there were interested in manhole covers. The rest is history,” he says with a grin.
Mr. Morimoto was only getting started.

“At the time, what frustrated me the most was that even with all these amazing manhole photos on the internet, there was no way of knowing where to find them. Even if there was a caption describing the general location, often I’d scour the neighborhood without ever finding the manhole I was looking for,” he recalls, then adds with a smile, “Nowadays I’ve leveled up my skills a bit, so all I really need is a map.”
His solution at the time was to team up with a software engineer friend to create a website, “Manhole Map,” featuring—true to its name—a map with precise location details for every manhole in the database. “I had him build me the site I always wanted,” Mr. Morimoto says with a laugh. “I also started posting on Twitter with the hashtag #manhotalk, and searched the net for fellow fans. I connected with as many people as possible, doing all I could to share the appeal of manhole art through social networking. Before I knew it, communities of manholiacs were popping up all over.”

On the popular urban observation website Michikusa Gakkai, Mr. Morimoto serves as a lecturer of manhole studies, sharing with readers images and stories of his favorite covers as well as a wealth of knowledge on the history of Japanese manhole art, and photography techniques to help people better capture manholes in all their glory.
“The offer from Michikusa Gakkai came in just as our Twitter community was coming together. Then the organizing team behind the Manhole Night event was born. A friend I met through Twitter volunteered to create an iPhone app that could be synced with my Manhole Map homepage, as well as a bot that would compile all manhole-related tweets. The power of social networking really is incredible.”
Mr. Morimoto truly is a manhole aficionado for the internet age—a pioneering figure in this ever-expanding community of enthusiasts.

Manhole Night: Come One, Come All!

The first Manhole Night event was held on November 2, 2011. “At first, it started as an academic event,” explains Mr. Morimoto. “People still come to do serious research and field work. We hold the event every year in November, so if you’re interested, we encourage you to check out our homepage.”

Members of the Manhole Night team are also actively participating in another yearly event, the Manhole Summit held by the GKP (Gesuido Koho Platform, or Sewer PR Platform). “The Manhole Summit is always a rousing event, attracting over three hundred participants each year, and we help out however we can,” Mr. Morimoto says with a smile. “From books and all the manhole cover accessories popping up, you can really see the movement growing year by year.”


Mr. Morimoto’s favorite manhole covers!

In closing, we leave you with a choice selection of some of Mr. Morimoto’s favorite manhole covers from across Japan. Seek them out for yourself, or see what beautiful works of art you can find in your own neighborhood!

1) Kamaishi City, Iwate: This cover features a dancing tiger, a traditional motif in Kamaishi-Otsuchi region.

2) Kodaira City, Tokyo: Of the many manhole covers depicting Mount Fuji, this one is notable for its serene, pastoral imagery.

3) Fukui City, Fukui: The twin phoenixes symbolize Fukui’s strength in recovering from both air raids and a great earthquake.

4) Hiroshima City, Hiroshima: A wish for peace and a vow of protection from flooding is represented by six chains of a thousand origami cranes.

5) Kushiro City, Hokkaido: A manhole cover depicting a family of cranes taking flight at sunset.

6) Matsushige Town, Tokushima: “Mappy,” the town mascot, is depicted amidst blossoming matsuba-giku, the town’s official flower in this tasteful, subdued cover.

7) Ofunato City, Iwate: A manhole cover from an area among the hardest hit by the 2011 Tohoku earthquake and tsunami. It’s held up amazingly well.

Manhole Map homepagehttp://manholemap.juge.me/
Manhole Night homepagehttp://manholenight.info/
Manhole card informationhttp://www.gk-p.jp/mhcard.html

*This article was originally posted on October 9, 2015.

Translation: Jon Machida

Sake Lovers Find the Drinking Vessel of Their Dreams at Katakuchi-ya!

[Last updated: August 2, 2022]
Ask any sake lover, and they’ll tell you that your favorite brew tastes even better when served in an authentic drinking vessel. It’s no surprise, then, that Katakuchi-ya—a select shop that, true to its name, specializes in the sake serving bowls known as katakuchi—is booming in popularity among sake fans and foodies looking to add a touch of elegance to their dinner table. We spoke with the shop owner, Ms. Mie Oya, who runs the entire operation herself, from cultivating relationships with the artisans whose work she sells, to site design, operations, shipping and more!


▲Works by Kiyooka Kodo(清岡幸道)

All About Katakuchi
Katakuchi refers to a variety of serving vessel with a single spout. Traditionally and typically used for serving sake, in recent years you may see them used for measuring other liquids, or as creative serving bowls for a wide variety of culinary dishes. Historians believe that the people of Japan have been using katakuchi since the Jomon (ca. 14000-300 BCE) and Yayoi (600 BCE–300 BCE) periods. A similar vessel with two spouts on opposite edges is known as a morokuchi.

A Vessel for All Occasions: Turn Your Dinner Table into an Art Museum

While earthenware and glassware shops can be found all over, Katakuchi-ya is—to our knowledge—the only one in the world that specializing in katakuchi. Though Ms. Oya deals in other sake serving cups and mugs as well, at Katakuchi-ya the spotlight is clearly on these unique vessels. She shared with us her motivation for starting up her unique business.

“I had the idea to start a dinnerware store focused on one particular variety of item, and katakuchi just came to mind. The spout is charming and simply picture-perfect, and thinking of all the different ways they can be used is just so much fun.”

Recently, fans have been sharing with her creative new uses for katakuchi through social networks. “They’re perfect for serving many different dishes, and for holding not just sake, but salad dressing and soba sauce as well,” Ms. Oya explained. “You can even use them for flower arrangement and as a stylish interior accessory. The other day, one customer showed me how she used one in a tea ceremony.”

▲Works by Kaoru Matsumoto(松本かおる)

▲Works by Daisaku Hashimura(橋村大作)

▲Works by Toshihiro Sue(スエトシヒロ)

▲Works by Midori Uchida(打田翠)

▲Works by Yusuke Tazawa(田澤祐介)

▲Works by Kae Takada(高田かえ)

▲Works by Soji Tsurumi(鶴見宗次)

▲Works by Taira Kuroki(黒木泰等)

A One-Woman Operation

Running a popular internet shop isn’t as simple as having something people want to buy: photography skills, eye-catching web design, frequent updates and communication with your customers are all elements that can mean the difference between success and failure. Admiring the clean, stylish look of the Katakuchi-ya site, we assumed it was the product of a professional web design firm, and were surprised to hear that Ms. Oya handles all these duties on her own, along with all correspondence with the artisans whose work she sells.

“I’m always looking for young new creators whose work I can feature, always taking care to show them the respect they deserve. After making the initial contact, I make a point of attending their exhibitions and speaking with them in person, and after that visiting them at their workshops.” she continued. “I believe it’s not just about the works, but about the person behind them as well.”
All the works available at Katakuchi-ya have been hand-picked and selected by Ms. Oya herself. “From the start, I didn’t want to be just another collector and dealer,” she explains with passion. “I wanted to share pieces that truly moved me with the world.”

Taking the Show on The Road

In recent years, there has been a growing trend of online shops running limited-time-only booths at major shopping center across Japan. In a sense, not being tied to a single physical location makes it that much easier to take their operation to wherever they’re called.
Needless to say, the uniquely stylish Katakuchi-ya is no exception. With the popularity of her store growing by the day, in June 2015 Ms. Oya held special events at the renowned department stores Isetan and Takashimaya.

“Isetan was the first to reach out to me. I’ve only begun holding these events recently, but I’ve been amazed at how many customers have come after reading about them on my site or social networks,” she says with a smile. “When they tell me how happy they are with the katakuchi they bought, or say how they couldn’t decide just from pictures on the internet so they wanted to see and hold them in person—these are the moments that make it all worthwhile.”


▲From an event at the Isetan department store in Shinjuku


▲From an event at the Takashimaya department store in JR Nagoya Station

As its visibility grows, Katakuchi-ya has been receiving an influx of orders from around the world. Ms. Oya is proficient in English as well, and is more than happy to accept orders in English via Facebook message or FAX. Even more recently, Katakuchi-ya has opened a showroom in Nagoya. While it can’t beat the internet for convenience, there’s nothing quite like seeing and holding these creations for yourself—and Ms. Oya would be happy to tell you all about katakuchi in English or Japanese. So if you’re interested in adding an artistic touch to your daily dining and drinking, why not visit Katakuchi-ya in person or on the internet? You’re sure to find a charming, elegant vessel to suit your fancy!

Katakuchi-ya HOTORI かたくち屋 ほとり
Kodama Building B1F, 1-1-8 Marunouchi, Naka Ward, Nagoya City, Aichi Prefecture
TEL/FAX: 052-204-4520
Open 12:00 p.m. to 6:00 p.m.
Closed: Tuesdays and Saturdays

Web Site: http://www.katakuchi.jp
Facebook: https://www.facebook.com/katakuchiya?fref=ts

*This article was originally posted on July 31, 2015.

Translation: Jon Machida

Miso Sommeliers: Mastering the Art of Miso

[Last updated: August 4, 2022]
With traditional Japanese food, or washoku, being recognized as an Intangible Cultural Heritage by UNESCO in December 2013, the distinctive ingredients used in Japan’s cuisine are in the spotlight more than ever. Today, we’ll take a closer look at one of the most unique of these—miso—through the eyes of the professionals who have made it their mission to study and share with the world the wonders of miso.

Gotta Have My Miso

An indispensable seasoning for countless aficionados who have fallen in love with Japanese cuisine, miso is made by fermenting ingredients such as soybeans, rice, or barley together with salt and koji (a fermentation starter). While miso first appears in written histories during the Nara period (710-794), there is evidence that people were making a primitive form of it more than two millennia ago. Clearly, miso in one form or another has a long history of delighting the Japanese palate.

Miso soup is a staple of Japanese home cooking, and all families keep a healthy supply of miso close at hand. Those who take pride in their cooking often eschew the mass-produced varieties found in supermarkets and seek out their own personal favorites. But with so many types of miso available, which to choose? What if I want to make my own miso? If you’re looking for answers to questions like these, why not consult a miso sommelier? These professionals will be more than happy to guide you to a miso match made in heaven.

Sommeliers: Not Just for Wine Anymore?

Japan is known for its love of credentials and certifications. In addition to the government certifications required to become—for example—a doctor, a lawyer, or an accountant, you’ll find private organizations offering credentials targeted at professionals or ordinary people seeking to tangibly demonstrate their knowledge in various fields and industries. Needless to say, food is no exception. From “mushroom meisters” to “seafood specialists” to “curry coordinators”—if you have the time, money, and motivation, you too can study and earn one of these titles, along with the trust and respect of those around you.

Miso sommeliers are men and women whose knowledge of—and passion for—this uniquely Japanese condiment knows no bounds, and who have taken it upon themselves to spread a love of miso across Japan and the world, while passing down the secrets of miso production and miso cuisine to future generations. Only individuals who gone through an intensive course and passed an exam administered by the Miso Sommelier Nintei Kyokai (Miso Sommelier Accrediting Association) can claim this prestigious distinction.

Without further ado, let’s meet a real miso sommelier. For Yusuke Natsukawa, earning this title wasn’t simply for show, but an essential part of his livelihood. We visited him at his workplace, a miso shop in Tokyo’s shitamachi, or old town, where he shared with us a wealth of information on the marvels of miso. (The interview was conducted in Japanese, as Mr. Natsukawa speaks limited English, but his eloquence in discussing miso cannot be denied!)

Meet a Miso Sommelier: Yusuke Natsukawa of Gunji Miso

The Torigoe neighborhood of Tokyo’s Taito City has long been home to artisans and craftsmen. One of the rare parts of the city to survive the World War II air raids, its streets are lined with traditional row houses (known as nagaya). It is here, tucked away in a corner of a shopping arcade known as Okazu-yokochō, that you will find Gunji Miso Tsukemono-ten, a family-run miso purveyor founded in 1957. Mr. Natsukawa, who now serves as head of sales, joined the company at the age of twenty-three and has been working here for fifteen years. You can find him spreading the joy of miso not only at his shop, but at culinary events held in department stores across Tokyo. Let’s hear from him in his own words.

“Our chairman and founder spent four years as a prisoner of war in Siberia. Faced with endless days of unbearable cold, hunger, and hard labor, the only thing that kept his spirits high was talking about food with his friends, and dreaming of the day when he could taste his mother’s homemade miso soup again. Hearing about his deep passion for miso inspired me, and I want to keep that flame burning.”
Haruo Gunji is now ninety-eight years young(As of May 25,2017) and a father figure to everyone at Gunji Miso. Back in Siberia, he resolved that if he ever made it back alive, he would open his own miso shop, and sell his mother’s miso, which had warmed his heart and the hearts of his friends. Today, Mr. Natsukawa is carrying on that dream.

Not Your Ordinary Miso

Currently, there are three miso sommeliers employed at Gunji Miso—Mr. Natsukawa, company president Takeshi Gunji, and sales manager Yasuhiro Ikemoto—all possessing a remarkable depth and breadth of miso knowledge.
“I always had a good working knowledge of miso, but since becoming a miso sommelier, my words carry a lot more weight,” Mr. Natsukawa says with a grin. “It’s also been invaluable when talking to customers at events across the city.” Mr. Natsukawa explained how he is now able to provide detailed answers to questions about choosing the right miso to go with particular ingredients or seasonal dishes.

All miso made at Gunji Miso is produced naturally—prepared in the heart of winter (generally from around January 20 to February 3), fermented over the summer, then brought to completion the following year. “It’s a long process, but the taste is worth it,” Mr. Natsukawa says with pride.
He also has some advice for chefs looking to spice up their creations. “Next time, try adding miso as a secret ingredient—a little scoop of miso will bring out a richness in curries and stews. It’s also great on cheese—fermented foods really pair well together.”

On its own or as an accent to various dishes, miso affords limitless possibilities—not to mention proven health benefits for both the body and mind. Interested in learning more? Why not take a trip to old town Tokyo and visit Mr. Natsukawa yourself? The wide and wonderful world of miso awaits you!

Gunji Miso Tsukemono-ten 郡司味噌漬物店
1-14-2 Torigoe, Taito, Tokyo, Japan
Open Monday to Saturday from 9:00 am to 7:00 p.m.
Closed Sundays, holidays, and the second and fourth Mondays of each month
E-mail: info@gunjimiso.com
Homepage: http://www.gunjimiso.com/
Facebook: https://www.facebook.com/gunjimiso/

*This article was originally posted on August 10, 2015.

Translation: Jon Machida

Tokyo Sake Collection 2015: An Event for Sake Lovers Everywhere

[Last updated: August 4, 2022]
Each year, the Meishu Center—a renowned sake tasting bar in Tokyo’s Hamamatsucho district—hosts the Tokyo Sake Collection, a celebration of all things sake. Featuring talks aimed at young sake fans, as well as English information sessions for sake aficionados from around the world, this event truly has something to offer sake lovers of all stripes. Today, we’ll share our impressions from the 2015 edition of the event.

Tokyo Sake Collection 2015
Held Sunday, April 19, 2015 at Zojoji Temple in Tokyo’s Shiba Park
Hosted by Meishu Center 名酒センター
Operations by the Womens’ Nihonshukai (“Womens’ Sake Association”)
Assisted by the Shuto Meijinkai (“Association of Sake Masters”)

Stage #1—Taste and Enjoy: Opening the Door to the Wide World of Sake

The four-stage event began with a lecture on “cool sake” targeted at sake fans in their early twenties. The instructor was Euka Isawa, president of the Students’ Sake Association. Ms. Isawa is a student at the University of Tokyo who is also involved with her family’s business—Katsuyama Shuzo, a famous sake brewery. In her lecture, she taught those of the younger generation—who may not drink often—how to enjoy sake. From drinking etiquette to tips on appreciating good sake, she used familiar examples to convey knowledge on a wide variety of topics to her peers.

Smiles abounded as the young audience split into groups for discussions and tasting exercises, and the excitement in the air was unlike anything seen at your typical sake event.

Stage #2—Enjoying Sake in English, As Taught by a Sake Samurai

The next lecturer was Etsuko Nakamura, an interpreter and tour guide, and one of the few sake specialists to earn the title of Sake Samurai for her accomplishments in promoting sake culture overseas. The audience was filled with sake fans of all nationalities, including tourists and longtime residents of Japan alike.

Seeing their enraptured faces, it was clear that sake has become an increasingly worldwide phenomenon.

Stages #3 and #4—A Sake Tasting Fashion Show!?

The final two stages of the event featured a doubleheader tasting party. Kicking off with a runway show that wouldn’t be out of place in Paris, visitors were treated to sake brewers taking center stage one by one to display their latest creations—a sight true to the Sake Collection name. Perhaps unaccustomed to the bright lights, more than a few brewers appeared nervous the first time, but the smiles flowed freely by their second go-around.

After the performance, the floor was opened, and sake fans eagerly made the rounds with their o-choko (sake cups) in hand, sampling delicious sake from the twenty-three breweries in attendance. This opportunity to speak directly with the brewers while tasting their sake is perhaps the greatest allure of this event. You could see eyes light up and smiles beam as attendees listened to the brewers’ answers to all their sake-related questions.

An Event that Will Make a Sake Fan of Anyone

The Tokyo Sake Collection 2015 was unlike any sake event we had ever attended. In particular, the lecture directed at prospective fans in their early twenties was a refreshing and admirable approach. In a society where the younger generation is said to be drifting away from sake, it was inspiring to see young fans like those of the Students’ Sake Association working to improve the image of sake among their peers.

Of course, there’s nothing quite like being able to talk face-to-face with the people who brew this amazing sake, while sampling everything from fresh new sake to exclusive limited-edition brews. The scale of the event was also just right, allowing attendees to communicate with the brewers in a friendly, cozy environment.

The Tokyo Sake Collection is held every year. If you have even the slightest interest in sake, why not check it out for yourself? There are also plenty of other sake tasting events to appeal to sake lovers (and would-be sake lovers) of all kinds. So what are you waiting for? There’s a whole world of sake out there just waiting to be discovered!

▲During a break from the festivities, representatives from each brewery make an offering of fresh sake and a prayer at Zojoji Temple.

*This article was originally posted on May 21, 2015.

Translation: Jon Machida

A Bizarre Adventure to Hakui, Home of the JoJo Stones!

[Last updated: August 4, 2022]
The city of Hakui in Ishikawa Prefecture is not your average tourist destination. Famous for UFO sightings, it’s made the news in recent years for a new reason: its so-called “JoJo stones,” which have become the talk of the internet. Today, we’ll take you on a virtual trip to Hakui for a delightfully bizarre sightseeing adventure.

The Truth Is Out There?

Hakui has been promoting itself as “UFO city,” thanks to the numerous reported sighting of curious flying objects within its borders. The city has even gone so far as to build a space museum, Cosmo Isle Hakui, with the official cooperation of NASA. Outer space enthusiasts—including many fans of the manga Space Brothers—flock to the museum, which counts one of Japan’s foremost ufologists as its curator emeritus.
Cosmo Isle Hakui:http://www.hakui.ne.jp/ufo/

Strike Your Best Pose

Step out into the plaza at JR Hakui station and you’ll find five curious sculptures depicting the onomatopoeic sound effects found in Japanese manga. These have come to be known as the “JoJo stones,” with fans of the manga and anime JoJo’s Bizarre Adventure traveling from far and wide to take pictures of themselves striking the trademark poses from the series. It’s a truly unique destination for the most devoted and discerning of manga fans.

These JoJo stones are, in fact, the work of Hiroshi Mabuchi, a sculptor and graduate of the Kanazawa College of Art, and were placed in their current location at the direction of the Hakui Station Shopping Arcade Cooperative. Clearly, there are many people in the world today who share this unique sense of aesthetics. If you’re a JoJo fan as well, why not take a trip to Hakui and snap a picture of yourself striking your best JoJo pose for all the internet to enjoy?

Still More Wonders Await

But wait! There’s more to Hakui than just UFOs and JoJo stones. The Chirihama Beach Driveway is the only place in Japan where you can drive a car on the sand at surf’s edge. Keta Taisha is a beautiful shrine popular among female visitors for bringing them luck in love. The temples of Myojoji, Yokoji, and Buzaiin, as well as the Hakui Municipal History and Folk Museum (Hakui Rekishi Mizoku Shiryokan) house countless historical treasures.

What makes Hakui such a compelling destination for so many tourists? We asked Ms. Akemi Okada from the Hakui Tourism Association for her thoughts.

“Reports of a mysterious phenomenon called ‘sohachibon’(*1) can be found in the records at Keta Taisha dating back to the Edo Period (1603-1868). We believe that the perception of Hakui as a home for UFOs dates back to this time. We also get see many fans of literature come to Hakui to visit the grave of Shinobu Orikuchi(*2). From historical treasures to the JoJo stones, Hakui seems to have something for the most obsessive fans of just about everything,” Ms. Okada said with a laugh.

One thing is clear: the city of Hakui is simply overflowing with subculture and eccentric appeal. If this sounds up your alley, why not take a trip there and experience a bizarre adventure of your very own?

*1 The term sohachibon originally referred to a traditional musical instrument resembling a cymbal that was used in Buddhist rites. The term was then applied to strange glowing lights seen floating in the sky—the UFOs of the Edo Period.
*2 Shinobu Orikuchi (1887-1953) was a renowned Japanese folklorist, literary figure, linguist, and poet.

Hakui Tourism Assocation羽咋市観光協会(Hakui Kanko Kyokai)
Hakui City Hall, 2nd Floor, Asahimachi-A 200, Hakui City, Ishikawa Pref.
住所:石川県羽咋市旭町ア200番地 羽咋市役所2F
Official Homepage: https://notohakui.jp/
Facebook: https://www.facebook.com/hakuishi.kankoukyoukai

*This article was originally posted on April 16, 2015.

Translation: Jon Machida

Inside the AR Phenomenon: Live from the Ingress Worldwide Event!

Ingress is an augmented reality (AR) game for Android and iOS platforms developed by Niantic, a software development studio that spun out of Google. A social game designed to encourage players to physically explore their surroundings, it makes creative use of location data to tell a story of warring factions in a dystopian sci-fi world.

The Ingress team regularly holds large-scale events where “agents” (as Ingress players are known) across the globe can connect and enjoy the game together. The latest of these—XM Anomaly: Shōnin 03—was held in Kyoto on March 28, 2015. Hearing that what happened in Kyoto would have the potential to shape the future of the Ingress universe, we knew we had to answer the call!

Agents Abound!(8000 Players Estimated in Attendance)

We arrived in Kyoto at 10 a.m., just as registration opened at Maruyama Music Hall in scenic Maruyama Park, renowned for its cherry blossoms. After signing up, we posed for a group shot with our fellow agents.


▲John Hanke, a vice president of Google and founder of Niantic Labs, the team behind Ingress, also made the trip to Japan for this special event. He spoke to the crowd, explaining how a family trip to Kyoto he had taken a few years back inspired and influenced him greatly in the game’s development. He encouraged the agents in attendance to take in the rich cultural history of the city in between their heated battles.


▲Maruyama Music Hall only holds 2,500 people at full capacity, so needless to say, many agents were left outside. All told, it was a massive event, with roughly 8,000 agents descending on Tokyo to battle for the future of mankind.


▲Out-of-the-way small shrines and jizo (small Buddhist statues) were set as “portals,” the objectives of which players must vie for control, and a heated battle quickly escalated between the two opposing factions.


▲Curious structures like this one were also featured as portals. This particular monument stood at the entrance of a local business.


▲Agents do battle in narrow alleys typically unexplored by tourists and visitors. They must have appeared awfully suspicious to locals unfamiliar with the event.


▲Here’s another portal, this one located at Doshisha University’s Muromachi Campus. This hall is a venue for film festivals and concerts, and is open not only to students and faculty but the general public as well.


▲Agents in their thirties and forties made up the majority of participants. As befitting an international event, we encountered agents from across the world, many of whom were clearly enjoying taking in the sights as they waged their invisible war.


▲Signposts like these abound in Kyoto. Many of these also served as portals, allowing agents to learn history as they explored the city. This particular sign marks the former residence of Umon Fujii, an imperial supporter from the Edo Period.

At Battle’s End

When the day was done and the battle over, agents gathered for an after-party at the Kyoto International Conference Center. Results were announced, and special guests and sponsors presented gifts and awards to the participants.


▲Agents looking to kick back after a hard-fought day and enjoy the XM Anomaly to the fullest filled the halls of the ICC Kyoto.


▲A group photo from an official Ingress event held the previous March, with only twenty-six agents in attendance. What a difference a year makes!


▲The mayor of Kyoto, Daisaku Kadokawa, also made a special appearance in a green kimono matching the Ingress motif. Beside him is Masashi Kawashima of Niantic Labs, the driving force behind this event.


▲Agents who had demonstrated particularly impressive results over the past week were rewarded with special gifts from the event’s co-sponsors.


▲Niantic Labs also presented the agents in attendance with QR codes allowing access to the closed beta version of their latest app in development, Endgame. (*This game never saw an official release.)

An Agent and a Gentleman

The thousands of agents navigating through narrow alleys with smartphones in hand were surely a curious sight for unsuspecting onlookers. That said, we were impressed at their impeccable manners—keeping to the side of streets and alleys to leave a path for tourists, keeping their voices down in residential districts so as not to disturb the residents, and so forth. Various cities and organizations outside of Kyoto have also shown an interest in teaming up with the Ingress team to bring in visitors. At this rate, it might not be long until an Ingress event comes to your neighborhood! We encourage you to keep an eye out—you just might see your surroundings in a whole new way, and make some new friends in the process!

*This article was originally posted on April 6, 2015.

Translation: Jon Machida